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This is the first English-language monograph on Marcus Manilius, a Roman poet of the first century AD, whose Astronomica is our earliest extant comprehensive treatment of astrology. Katharina Volk brings Manilius and his world alive for modern readers by exploring the manifold intellectual traditions that have gone into shaping the Astronomica: ancient astronomy and cosmology, the history and practice of astrology, the historical and political situation at the poem's composition, the poetic and generic conventions that inform it, and the philosophical underpinnings of Manilius' world-view. What emerges is a panoroma of the cultural imagination of the Early Empire, a fascinating picture of the ways in which educated Greeks and Romans were accustomed to think and speak about the cosmos and man's place in it.
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This is the first English-language monograph on Marcus Manilius, a Roman poet of the first century AD, whose Astronomica is our earliest extant comprehensive treatment of astrology. Katharina Volk brings Manilius and his world alive for modern readers by exploring the manifold intellectual traditions that have gone into shaping the Astronomica: ancient astronomy and cosmology, the history and practice of astrology, the historical and political situation at the poem's composition, the poetic and generic conventions that inform it, and the philosophical underpinnings of Manilius' world-view. What emerges is a panoroma of the cultural imagination of the Early Empire, a fascinating picture of the ways in which educated Greeks and Romans were accustomed to think and speak about the cosmos and man's place in it.
A. E. Housman's five-volume critical edition of Marcus Manilius's Astronomicon has long been regarded as the definitive work on the subject. The task of bringing the edition together was one of considerable proportion which took Housman twenty-seven years to complete. It is now considered one of his most enduring and important contributions to scholarship. This volume contains the Latin text of the first book of Manilius, originally published in 1903, and then reissued in a second edition by the Cambridge University Press in 1937. It offers a short introductory note by Housman's friend and colleague at Trinity College, Cambridge, A. S. F. Gow, as well as a detailed introduction by Housman himself, tracing the manuscript history of the work and discussing particular challenges posed by the editorial process.
This Is A New Release Of The Original 1697 Edition.
In republican times, one of Rome's deadliest enemies was King Mithridates of Pontus. In 66 BCE, after decades of inconclusive struggle, the tribune Manilius proposed a bill that would give supreme command in the war against Mithridates to Pompey the Great, who had just swept the Mediterranean clean of another menace: the pirates. While powerful aristocrats objected to the proposal, which would endow Pompey with unprecedented powers, the bill proved hugely popular among the people, and one of the praetors, Marcus Tullius Cicero, also hastened to lend it his support. In his first ever political speech, variously entitled pro lege Manilia or de imperio Gnaei Pompei, Cicero argues that the war a...
The Death of Carthage tells the story of the Second and third Punic wars that took place between ancient Rome and Carthage in three parts. The first book, Carthage Must Be Destroyed, covering the second Punic war, is told in the first person by Lucius Tullius Varro, a young Roman of equestrian status who is recruited into the Roman cavalry at the beginning of the war in 218 BC. Lucius serves in Spain under the Consul Publius Cornelius Scipio and his brother, the Proconsul Cneius Cornelius Scipio. Captivus, the second book, is narrated by Lucius's first cousin Enneus, who is recruited to the Roman cavalry under Gaius Flaminius and taken prisoner by Hannibal's general Maharbal after the disast...
“Last Poems” is a 1936 collection of poetry by A. E. Housman. The poems include: “The West”, “Llic Jacet”, “Grenadier”, “Lancer”, “The Deserter”, “The Culprit”, “Eight O'Clock”, “Spring Morning”, “Astronomy”, “Epithalamium”, “The Oracles”, “Sinner's Rue”, “Hell's Gate”, “Revolution”, “Epitaph On An Army Of Mercenaries”, and “Fancy's Knell”. Alfred Edward Housman (1859–1936), also known as A. E. Housman, was an English poet and classical scholar considered to be one of the greatest scholars who ever lived. A fantastic collection of classic poetry by a master of the form. This classic work is being republished now in a new edition complete with a chapter from “Twenty-Four Portraits” by William Rothenstein.